A Tribute to Bass

The Academy Awards are this Sunday. In an effort not to make this post about baseball or the movie Moneyball (clearly the best movie of the year even though it included Brad Pitt), I will avoid any additional references. Instead I’ll write about something new and old. Over two years ago Paul wrote a post about his Affair with Movie Title Sequences. I was reminded of his post when I came across a link to a new website dedicated to the work of Saul Bass. Paul doesn’t have a website dedicated to his work.

In that post Paul stated that “One of the most famous title sequence designers was Saul Bass, a graphic designer and film maker who died in 1996. His work influenced (and continues to influence) a generation of designers (you’ll certainly see his influence in the Catch Me if You Can title sequence).” In an effort not to make this post about Star Wars I won’t make any additional references about the Bass tribute Star Wars title sequence. (You can see the video in Paul’s post.) Bass’ influence can be seen in movies and graphic design elements everywhere from the original AT&T logo to the Girl Scouts logo today. See if you recognize any of these others.

The website I mentioned above is an online archive of Bass’ work. Web designer Christian Annyas is created the web-page. She goes on to say, “I’ve seen a lot of movies over the years. To prove I’ve sat through at least the first ten minutes of them I started making screenshots of the titles. Then my computer crashed and I almost lost them all. To save them for future generations I created this little website.” I love it when people gives back to the greater good. It’s also an interesting way to self promote. Not that we would know anything about that. Annyas has also created an online database of other title sequences as well.

At the very least it is a great place to waste some time. As far as the Academy Awards go, I’m pulling for Brad.

 

Why Blog: The Interpretive Sourcebook Entry

We’re in Saint Paul, Minnesota, this week for the NAI National Workshop. We’ll be presenting a session on blogging Wednesday, which means we had to prepare actual content (something we’ve done only rarely in three years of blogging). Since writing this blog has inspired the content for the session, I thought I’d take this opportunity to share our paper (written by both of us) with you. Here goes:

Why Blog?
You should blog if there is an audience. As a blogger, it’s important to know your purpose and message, along with where your blog is going to fit in (a common problem for us anyway, and also anyone who identifies themselves as a blogger). We started the Interpretation By Design blog (which we now call simply “The IBD Blog”) in March 2009, about five months after our book by the same name was published. We were aware that there was an audience because multiple presentations at NAI workshops were filled with interest revolving around the subject matter (graphic design and interpretation). Post-presentation conversations (face to face, in emails, on Facebook) led us to create a forum for further discussion. The blog also offered an opportunity for discussion with those not able to attend a presentation or conversation.

Knowing your audience is a tenant of the interpretive profession that can be applied to blogging as well. On the internet, your blog has a potentially large, anonymous audience. IBD is a specialized subsection of two professions (graphic design and interpretation), and it occasionally crosses into other areas of interest (baseball). Just as interpretive sites have streakers, browsers, and students, your blog will have readers who will read every word, while most will pass through from time to time to catch up or see if there is anything of interest to them.

Getting Started
The nature of a blog, where someone has to purposefully come to your page on a regular basis, requires the interest mentioned above as well as knowledge of how a blog differs from a newspaper or book. This less-traditional form of media has room for more opinions, fewer facts, and lots of personality. Where a book is typically focused on one subject or topic, blogs can cover a much wider spectrum within that topic. These positive elements can also be negatives if the blog becomes too much of a personal platform that alienates portions of the audience or is inconsistent in topics.

Before you start a blog, ask yourself why you are doing it. Do you want to create awareness of a site, increase visitation, gain public support for political reasons, or sell a really awesome book that sometimes cracks the top million on Amazon’s rankings? The starting point for setting goals for your blog—as with any other media—is that it should support the mission of your site or organization.

If clear goals are established, you will see your audience grow. A portion of that commitment should be introspective towards building a voice through your writing. Just as front-line interpreters represent their sites to visitors, as the author of a blog, you represent your site to a potentially much larger audience. It’s important that you set an appropriate, engaging tone, and that your writing is interpretive (not just informational).

Nurturing and Maintaining Your Blog
Maintaining a blog is a lot like keeping a pet. It requires constant, consistent nurturing and left unchecked, it might make a mess on your carpet. Just as you can’t keep a pet alive by feeding it a lot for three days then ignoring it for a month, your blog can’t survive without regular attention.

Put another way: Blogs are also like romantic relationships. It’s easy to be enthusiastic when a relationship is new. There’s lots to talk about, it’s new and fun, and it’s your primary point of interest. Then months or years down the road, when you have a cold and other work-related deadlines and the kids are screaming for you to take them to Dairy Queen, the blog might not seem like the most important thing in the world. But without constant attention, the blog suffers and possibly goes away altogether.

Here’s how to keep your blog (or pet or relationship) healthy and vibrant:

  • Give it constant attention. Update your blog, at an absolute minimum, once a week, preferably more often. On our blog, we publish without fail (even on holidays and while we’re on vacation) every Monday (Paul) and Thursday (Shea). If you anticipate a busy schedule, write several posts in advance and use your blogging software (we use WordPress) to schedule them to go live at the appropriate time.
  • Don’t write a Russian novel. You’re more likely to get feedback on shorter posts that ask readers to participate. Our experience has been that posts more than 500 words or so are too long. (This does not stop us from writing long posts. We’re just aware that they’re too long.)
  • Mix it up. Sometimes you need to spice things up (the pet metaphor may break down a little here). In addition to regular posts that occur on a schedule, throw in a quick question, observation, or photo now and again. Commemorate a special event (such as a trip or conference) with a week of “Live from [wherever…]” posts.
  • Communicate. Some readers will simply read your blog and move on. Others will comment regularly. And a select few will comment on nearly every single post. Your commenters are there to engage in a conversation that you started, so be sure to participate. We appreciate all of the comments on Interpretation By Design, and try to show that by responding quickly, giving nicknames to commenters, mentioning them in subsequent posts, and taking suggestions. Even the people who just read and move on are also likely to read the comments.
  • Keep tabs on your blog’s health. You can track statistics on your blog through built-in software (we use a WordPress plugin called StatPress) or an online service like Google Analytics. A healthy blog will get higher and higher hit counts the longer it’s around. Some of these hits will come from random internet users (we get a lot of hits from Googlers searching the term “Phillies font”), but you’ll see consistent growth in numbers as your core readership expands. If you maintain a consistent schedule, your numbers will spike on the days of new posts.
  • Communicate some more. Blogging falls under the umbrella of social media, but it is altogether different from sites like Facebook and Twitter. Maintaining a presence on social media outlets is a great way to alert readers when a new post comes along, or to further the conversations you have on your blog.

Going Viral
Once you have established a routine and a regular readership, you never know what might explode on the internet and garner a lot of attention. For instance, our biggest viral event was caused by, of all things, a flowchart. What started as essentially an inside joke—an example of information design intended to help newcomers to baseball choose a team—was picked up by several national websites, shared extensively on the social networks (including being Tweeted by Katie Couric), and even translated into foreign languages and reposted. Ultimately, it crashed our website.

Obviously, your main focus should be on your core readership, but when that unpredictable viral event occurs, it’s a great way to make a huge number of people aware of your organization and its important mission.

Conclusion
Maintaining a blog is an opportunity for outreach that costs little in terms of finances, but requires great energy and commitment. It should have stated goals, a comfortable tone, regular content, and most importantly, reflect the passion and commitment of the interpreters at your site or organization.

The Rule of Third (Base) and other unwritten rules of graphic design/baseball

Not too long ago, my co-author and friend Shea called me with an interesting question: “Is there a way we could somehow incorporate baseball into our blog about graphic design and interpretation?” It seemed like a stretch, but since baseball is a mutual interest, we thought we’d give it a try this week.

In today’s post, I will discuss how graphic designers can make use of some of the unwritten rules of baseball (actually, for the purposes of this post, they are, in fact, written rules of baseball). Thursday, Shea will address how interpreters can do the same. Here goes:

If you intentionally hit a batter, don’t aim at his head.
Sometimes a baseball pitcher needs to send a message. Suppose the pitcher is unhappy with a player on the other team for violating one of the many unwritten rules of baseball, and he decides to intentionally plunk him with a pitch. It’s an unwritten rule that the pitcher should aim at the batter’s backside rather than a more vulnerable area, like his head.

Designers send messages, too, and it’s important not to aim at your audience’s head. Large fields of bright red, using lots of different typefaces, bolding everything, and filling every last square inch of white space—these are all examples of being overly aggressive, or aiming at your audience’s head. It’s important to get your message across, but you don’t have to beat people over the head with it.

Don’t step on the foul line.
This is more of a superstition than an unwritten rule, but many players—pitchers, mostly—avoid stepping on the lines drawn on the field as they enter or leave the field between innings. There are parts of the field clearly designated for different purposes—fair territory is for game faces and steadfast focus, foul territory is where players can relax and prepare for the next inning. Stepping on the line between those two areas muddies the distinction between them.

Designers rely on lines and areas with clearly defined purposes as well. A grid system helps designers decide where to place important elements on a page. (See a post on the grid here.)

Don’t slide with your spikes up.
When a runner slides into a base with the spikes on his shoes up, there’s a risk of serious injury. This is something noted jerk and Detroit Tiger Ty Cobb was famous for. Clearly, for designers, this rule relates to using starbursts. You’d have to be a real Ty Cobb to intentionally inflict those pointy aberrations on your audience.

Don’t make the first or third out at third base.
For various strategic reasons that I will resist detailing here, base runners should avoid making the first or third out of an inning trying to reach third base. They’re better off staying at second, if the situation allows, rather than risking making an out at third base. That said, there are occasions where it’s okay to force the issue and aggressively try for third base.

Designers use a Rule of Thirds as a guide to attractive compositions. Like baseball’s Rule of Third Base, though, there are times when the compositional Rule of Thirds can be violated. See a post about the Rule of Thirds here.

Pitchers should not show up their fielders.
When a fielder makes an error, pitchers have to resist outwardly showing their displeasure. Even though the pitcher has inherited a difficult situation because of his teammate’s misstep, he has to suck it up and focus on that next batter.

Similarly, every design project is a collaboration. If the copy writer comes in with too high a word count or the photographer gets thrown out trying to stretch a double into a triple, the project manager still needs to own the project and work with team members to get it right.

Don’t bunt to break up a no-hitter.
This is just a weasely thing to do. Swing the bat. This is not a concern in the American League because no one bunts there.

Well, there you go. Tune in next week when we’ll delve into the importance of working pitch counts when setting type!

Flowchart: What football team should I root for?

Sports fans everywhere are thrilled to have their favorite football teams back on the field. But what if you don’t have a favorite team? How do you know who to root for? This handy flowchart will help you decide. (Click to embiggen.)

If you’re more into baseball, you can see our first flowchart here.

This was prepared by Paul Caputo and Shea Lewis for Interpretation By Design. Thanks to neurotic hypermiler Jeremy Soule for his consultation.

Flush Left, Ragged Right: Getting the Perfect Edge

Have you ever asked yourself, Are my paragraphs the right shape? If not, fasten your seatbelts, folks. It’s typographic minutia time again!

When you’re dealing with blocks of text in an exhibit or on a sign, it’s worth taking the time to make sure your type looks as attractive as possible. One of the things some new designers overlook is the actual shapes of their blocks of text. (They’re probably too busy thinking about young people things, like texting and eating paste.)

I like to set my type flush left, ragged right (or left-justified, in Microsoft Word parlance). Flush-left, ragged-right type creates a straight line on the left, and an organic, ragged edge on the right. I prefer to set my type this way (as opposed to fully justified) in part because it maintains even word- and letter-spacing.

But here’s the thing: There’s a specific shape that you should strive to create with that ragged right edge. You don’t want to leave it to chance.

The text below (James Earl Jones’s baseball speech from Field of Dreams) was flowed into a text box in Adobe InDesign with no attempts at tweaking.

I have traced the paragraph and represented its shape to the right. (If my wife is reading this, she is just now realizing that she is married to the sort of person who traces the shapes of paragraphs.) You can see that it creates a haphazard shape. To my eyes, the short first line and the subsequent ski-jump slope shape are particularly unattractive. (Speaking of James Earl Jones, I’m just noticing that the shape above looks like a profile of Darth Vader’s head.)

Below, I have altered the text (through minor adjustments to letter spacing and a few hard returns) to create a more desirable saw-edge shape. The first line is longer than the second, then subsequent lines roughly alternate.

You can see that the right edge of the type still has an organic feeling to it, but it has a more pleasing, consistent look than the original, unmodified version.

Obviously, it’s not pragmatic to do this with every paragraph in a book or a magazine, but if you have three or four blocks of text on an interpretive panel or wayside, attention to this level of detail will make your work that much more attractive.

And speaking of trying to be attractive to people, I think I need to stop having my wife read these posts.